inkswel returns to faces with a steady swinging right hook mini ep after recent outings on wolf music, rush hour store jams, people must jam, omega supreme, dopeness galore and city fly records.

the third release from wavefreform again comes to us from the east, and this time around it marks a reformation of sound for both the label and the artist. half of the long-running georgian duo greenbeam & leon, boyd schidt is a producer with over a decade of work already under his belt whose first releases emerged in 2007. as a solo artist, his career dates to 2010 with digital releases on georgia’s front rec, fvf records, and emote music, and a track on the new vinyl compilation from studio r°. with the hard, broken kick pattern, elevated tempo, and nods to electro, the a-side ‘phantom’, a collaboration with subex, is a change of pace for the artist and the hardest thing yet to emerge from wavereform. dubwise use of effects shows the same hands still at work, but the sound elements, granulated blasts of static and drop-based structure of the track hold strong parallels to the rejuvenated techno sound currently emerging from the uk. the b-side, ‘structure’, recalls the previous work of the artist: subtle, building dub techno rich in detail and with the dancefloor firmly in mind. there is clear experience at work here with his deliberate deployment and manipulation of elements as the track struts along while enveloping the listener in its smaller details. as it pauses and takes an extended breakdown, the details rush forwards, but it finds renewed force to power itself to the close. coming in this case from an established producer with a long history, this kind of control is not surprising, but it is more indication of the riches of the east that have yet to be discovered by audiences worldwide.

returning to cadenza records after two previous singles (the motorglider ep and precursors ep), eduardo de la calle drops the methodical machines ep this december on lucianos imprint. across two pieces of vinyl, and five tracks, eduardo flexes his unique sound design of minimal and soulful grooves.

in less than a year since first starting out, guy gerber’s rumors label has become one of the go-to outlets for considered, classy and cultured house music. after tastemaking and standard-raising releases from guy & dixon, lake people and chaim – as well as memorable parties everywhere from bpm to wmc - now the imprint offers up a fantastically strong and seductive four-track sampler entitled chinese whispers.

swedish artist farbror resande mac debuts on mystic & quantum with the six track album yttre rymden, having first surfaced earlier this year with a fine outing on is it balearic? if you are familiar with mystic & quantum, you know the label deals in lovingly presented releases of a musically conceptual nature, and yttre rymden retains that status quo. a typically cryptic introduction from the label states the following: yttre rymden is a travel by boat leading to adventures around the world. yttre rymden might mean outer space but what defines outer space sometimes depend on which way you look at things. this story looks at the outside world from within and utilizes travels and adventures as a way to explore the world as outer space.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

born and raised in east london, everything about brett goulds career so far has been about a slow development of his sound. from his debut single premonition on low bit records (who s releases have included tracks from the likes of kassey voorn and guy mantzur)

pressing on white coloured 180 gram vinyl, download code included.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here is the new compilation by jerome derradji with kevin starke, aka the infamous jackmaster hater and owner of kstarke records in chicago. &#8232,,,,it is one of the sickest slice of chicago house music ever released. this compilation features ultra rare and lost chicago classics paired with a nice selection of newer tracks produced by jackmaster hater and his friends, all nicely laid out on a dcd and 2 dlps. the dlps come with a killer poster and the dcd features a booklet about kstarke records and kevin starke and a few more surprises. it includes rare tracks by ron hardy, james -jack rabbit- martin, terrence woodard, traxmen and many more. this is the real sound of chicago.

bristols finest independent hip hop label brings you *the four corners* lp from the journeyman!

asoks scenery imprint continues to go from strength to strength, with the boss man following up bantam lions recent recollections ep with a single of his own. hunter is undoubtedly the liverpool-based producer s strongest track yet, with woozy, soft-focus chords and alien electronics riding a dusty, analogue-rich groove. as with much of the labels recent output, there are distinct hints of mood hut, future times and mister saturday night. experienced producer versalife reworks the title track, turning it into a blissful chunk of drexciya-style electro. flip to the b-side for cabal, an ultra-deep and occasionally discordant concoction, and the fuzzy, detroit-influenced bounce of millennium 2.2.

2014 repress! legendary nalin & kane remix back on vinyl.. remastered & recutted !! also including a new fresh wehbba remix

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

the pride of northern sweden, varg, is back with his new moniker, grav. this mini album features 6 brand new songs of his unique electronic darkness & melancholy. limited 300 copies, vinyl only.

180 gram triple white coloured vinyl.
aphelion compiles previously unreleased & exclusive material from surgeon, planetary assault systems, james ruskin, lucy, rødhåd, Ø phase, inigo kennedy & ctrls.

here is the teaser from still musics label boss jerome derradjis new compilation: kstarke records - the house that jackmaster hater built.

the stiff little spinners are back on a solo tip with the fifth edition of our vinyl series thats embracing the world of electronic dance clubs and open air raves with heartfelt warmth, organic basslines and a whole lotta love. after releasing volume 4 alongside our tenth anniversary compilation audiolith -ten years from now stiff little spinners volume 5 once again serves a fine, hand-picked selection of six melodious club essentials somewhat in between tech-, romantic- and deephouse-grooves for intimate late night jams and cosy venues crowded with musical connaisseurs. the vinyl ep includes a download code.

limited to 200 copies - vinyl only!

james brown mixed up by norman cook aka fatboy slim, tim rogers and streets ahead.

first up, jd twitch teams up with his old mucker dave clark (luma / sparky) for a pseudo sleng teng dub pop workout. next up is jabru, the west country gent with releases upcoming on futureboogie and huxleys saints & sonnets with a digital dub gem. side two is jonnie wilkes & james savages naum gabo jamaican inspired alter ego with two uniquely demented takes on the sleng teng riddim. vinyl only!

craig clouse - aka shit and shine - follows up his stunning powder horn release on diagonal with this brand new set of pure heat for gangsigns. clocking in at just over 31 minutes, this brand new lp pushes on from the last just that little bit further, chopping and screwing its way from the dancefloor to the slow jam in six easy steps

still riding high on the support for his recent circus collab with ki creighton, new uk talent kydus immediately returns to the label with a brace of new tracks that have already become proven weapons in the sets of label yousef and the mighty carl cox. his latest double-header sees him turn out more fierce grooves and raw funk with a large helping of sun-fuelled piano for good measure. free spirit is captivating from the first drum to the last. a rolling groove, almost house, almost techno. a poignant story told that surrounds the listener with uncompromising positive energy, a huge summer moment if there ever was one. yousef has been nurturing the demo for almost six months, building it from a secret weapon to circus anthem.

new yorker elliot taub graces this 8th kinfolk release with 3 trax of varying intesity. do that dance is an uptempo melodic bass and synth heavy dancefloor jam. thirteenth roll in a bakers dozen takes a slower spaced out route. 10 dollars conitnues in the same mode but this time with guitar and a super heavy synth line pushing the driving force along and finally soft rocks grab a hold of 10 dollars and turn it into a john carpenter-esque electro groover.

das album von 1982 ist als vinyl-lp wieder erhältlich! -the seven voyages of captain sinbad- war das debütalbum für den deejay captain sinbad (alter ego des jamaikanischen produzenten carl dwyer). der künstler startete seine karriere beim sound of silence soundsystem als junger kollege von sugar minott und machte aufnahmen für dillinger s oak label. aber es war der produzent henry junjo lawes, die musiker der roots radics mit scientist & soldgie hamilton am mischpult des channel one studio und das greensleeves label sowie der graphiker tony mcdermott, die diesen longplay-klassiker verwirklichteten. schwergewichtige riddims - u.a. shank i shank, soloman, cuss cuss, things and time, bobby babylon, hunter man!

vinyl only - 300 copies no repress - blue transparent vinyl

re issue of romanthonys * da change / hold on* on black male from 1994. all 4 tracks re mastered for 2014 from original dats and released in original artwork. re issued in conjunction with the rights holders

for disco only six on 12 inch vinyl. 2 tracks aptly named with we love… the maze continous. this is future classics in the making and limited

the third imprint on dirty session sprung from luca bear s idea with the intention of spreading a new concept of music. no schemes, no compromises, the only prerogative is quality.

ltd 2014 repress !!
seuil & le loup aka hold youth for deep vibes. really good ep

already played & supported by : james ruskin, cari lekebusch, spiros kaloumenos, ortin cam, mattias fridell, joseph capriati, rebekah, chris liebing, richie hawtin, ryuji takeuchi, patrick dsp and many more...

next pattern by the analog roland orchestra. a homage to his heroes and the feeling they left since 1995. this analog one take live jam consists of a rough sh-101 bassline accompanied by it’s beloved fellows 808 & 909 and juno-6. live, analog, raw and this time distorted to punk the floor.

die doppel-lp erscheint als limitierte 180g pressung mit 19 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, inkl. 30x30cm kunstdruck, im gatefold mit antistatischen innentaschen.

subterranean techno cuts with a strong ancient underground texture. sawlin reveals himself to us with something totally unique, just like the spirit and the soul of arts elite, but there is one more thing, we give you james ruskin remix served on a silver platter. no more words needed here.

axe on wax returns with its second release, hopping over the pond to los angeles to welcome aboard calvin james, or better known as rhythm operator.

ceol is the moniker adopted by glasgow’s dom cappello and lee duncan. dom’s productions as hutton drive have appeared on cult labels like soma and the frustrated funk sub-label, frantic flowers, whilst as half of harri & domenic he continues to hold down the residency at glasgows legendary sub club. fellow glaswegian lee duncan records as leeon and debuted in 2012 on the cult seventh sign label. lee will also return under his solo alias later this year.

a kaleidoscope of rainbow textures and rhythms disperse into the exotic soundscape of *tropical*. electronics, real folk instruments and noise-making objects feature here generously on this six-track concept album, blending together a sonic palette influenced by a rich variety of music, people and places. the material was initially written over the course of a few months during what seneviratne called *a beautiful burst of inspiration*. working with veteran producer asier leatxe ibanez d opakoa (electric lady studios, nyc), seneviratne then set about disassembling all the songs and re-working them meticulously, enriching the sounds by adding a huge range of live instrumentation, before processing the audio through vintage analogue studio gear. the vinyl lp comes with download code.

for the second release on cb sessions christian teamed up with his old friend tomio tremmel, who is better known as -the sushi club- the guys spent some all night long sessions to tweak the gear. influenced by modular systems, the virus ti, tanzbär and the jomox 888 this ep offers a widespread variety of club sounds and results in three different electronic tunes, which are hard to describe … so you have to listen to it! also represented on this ep is italians best markus fix. since he has first heard christians -doubledub- he secretly trained everyday to sing the -supi dubi- hook. finally, after six years, he had the chance to present his skills in christians studio. don t miss the final tune - just supi dupi!

the prolific lord of the isles (aka scotlands neil mcdonald) has had a string of stunning 12 inches over the past few years on labels such as permanent vacation, unthank, shevchenko, mule and of course his four track > year of the city ep< on phonica, which was widely acclaimed upon its release in 2012. this time loti presents two long-form tracks, each a mini-masterpiece in itself. the 10 minute plus >greane< bursts into life after an intro of kicks and white noise hi-hats. it continues to slowly build, with pitch-bent synth lines and a pulsing bass-line making way for a melacholic shift in mood. truly original stuff! on the flip, a swirl of synthetic strings introduces ‘gigha’, in a manner that brings to mind rhythm is rhythm’s legendary ‘kao-tic harmony’, before the drums and infectious acid-line join in. over the 8 minutes they continue to interweave and play off each other to dazzling effect. artwork by jack featherstone, the designer of a number of sleeves for border community (including the highly praised campaign behind james holden’s ‘the inheritors’, its singles and live visuals), electric minds, warm and of course, phonica.

classic house from 1992 !!

on his debut ep, jasper unleashes three cuts of his signature bump n grind atmospheric house music.

true old school quality house and techno tunes by o b ignitt, known for his collaborations with omar s, on the first release for his own label.

richard burkinshaw and james rial aka audiojack have been at the forefront of underground electronic music for nearly a decade now with the duo dropping their first full length ep on 2020vision in 2006, entitled white noise. here the duo return to the label with a fresh single, following recent output which saw them collaborate with lcd soundsystem’s nancy whang for a single on gomma, and a string of material and remixes on their hugely successful gruuv imprint.

superb 12” reissue featuring three of trinidadian soul legend billy ocean’s greatest dancefloor tracks from the early 80s. side a features the six and half minute special disco version of ‘stay the night’ - a bass-heavy grooving funk monster with punchy horns and billy’s smooth vocals over the top. flip over for big frankie knuckles play ‘nights (feel like getting down)’, a pedigree jazz-funk cut often considered one of his finest. and last but not least is the long 12” version of the massive disco classic and studio 54 staple ‘are you ready’. with every track a guaranteed floorfiller, don’t miss this chance to own them all on one loud-pressed 12”.

volume 7 der about: berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

after dropping the hammer with blunt instruments killer hold back ep, dungeon meat are back again debuting on their own label with the brain mincing lose your mind ep. both sides deliver big swings of their mighty axe and hit hard with their signature sound of meaty beats & beefy basslines. aimed straight at the dance floor, it s obvious both the tracks have the intention to crack some skulls and spill some brains. already road tested individually by tristan da cunha and brawther at their d.j gigs & their dungeon meat live show, the reactions have shown that both of these tracks hit the chest and do the damage. also included are two -tools- so the creative djs out there can get busy in the mix and give their sets a little meat injection. pressed on 180g vinyl with embossed company sleeve dressed to impress with the trademark dungeon meat artwork

infrastructure is proud to introduce the debut record from campbell irvine, the 23 year-old outsider talent who hails from australia and has recently re-located to berlin. part industrial mantra, part musique concrete, this immersive and captivating debut continues infrastructures re-launch, bringing genuine new talent to the table.